Xenis Emputae Travelling Band - Full Moon June Xenis Emputae Travelling
Band first came to my attention through the Queasy Listening
compilation The Senoi Sound Archive where they provided
several tracks including the authentic Austin Osman Spare
Lectures. Much of Full Moon June was recorded at at the
stone conundrum of Men-an-Toll, and Mulfra Quoit in Cornwall,
Skipton Castle in Yorkshire amongst other ancient sites. Full
Moon June displays slow paced spacey ambient music that is
much inspired by experimental music as sacred sites inspire it.
There's a lo-fi feel to it. 'Flying Saucer Ship' even reminds of
the sounds of the Mount Vernon Arts Lab - they certainly share a
love of resonating tones and psychogeography. Sounds are derived
from zither, guitar, whistle, and keyboard although the added
treatments make it difficult to discern the individual
instruments preferring an otherworldly aloofness. The final track
'Feast of Bwcaa Dw' pursues a more rhythmic approach although the
free-flowing ambience still takes precedence. Those with a pagan
bent may find this low-key release of interest. A review of the
more recent Under A Soular Moon will follow next month on
Compulsion online. For more information go to homepage.ntlworld.com/philip.legard/xetb/ |

Xenis Emputae Travelling
Band first came to my attention through the Queasy Listening
compilation The Senoi Sound Archive where they provided
several tracks including the authentic Austin Osman Spare
Lectures. Much of Full Moon June was recorded at at the
stone conundrum of Men-an-Toll, and Mulfra Quoit in Cornwall,
Skipton Castle in Yorkshire amongst other ancient sites. Full
Moon June displays slow paced spacey ambient music that is
much inspired by experimental music as sacred sites inspire it.
There's a lo-fi feel to it. 'Flying Saucer Ship' even reminds of
the sounds of the Mount Vernon Arts Lab - they certainly share a
love of resonating tones and psychogeography. Sounds are derived
from zither, guitar, whistle, and keyboard although the added
treatments make it difficult to discern the individual
instruments preferring an otherworldly aloofness. The final track
'Feast of Bwcaa Dw' pursues a more rhythmic approach although the
free-flowing ambience still takes precedence. Those with a pagan
bent may find this low-key release of interest. A review of the
more recent Under A Soular Moon will follow next month on
Compulsion online. For more information go to